Minor feelings12/13/2023 Seeking to force confrontation with Cha’s largely undiscussed murder, Hong examines how Cha died while suggesting that Cha’s preoccupation with discursive erasure was a manifestation of revolutionary-rather than “feminine” self-silencing-impulses. As she sees it, the United States has achieved dominance through “the capitalist accumulation of white supremacy.” In “Portrait of an Artist,” Hong discusses Asian female invisibility by delving into the groundbreaking work of artist and novelist Theresa Hak Kyung Cha. Like the experiments with language she discusses in “Bad English,” the author was seeking a way to speak honestly about her own experiences with racism in an effort to end “white innocence,” a concept she addresses sharply in a separate essay. In turn, Hong attempted to access those “minor feelings” through her own brief foray into stand-up comedy. The author details how her experiences developing bonds with other talented Asian American women in college taught her to take herself seriously in a world that stereotyped Asians as “math-crunching middle managers.” She began developing a greater sense of race consciousness when watching comedian Richard Pryor, which she explores in the essay “Stand Up.” His no-holds-barred comedic monologues embodied racialized “negative dysphoric” emotions with which she immediately identified. Working harder than everyone else for recognition as an artist, she describes how she watched herself disappear into the “vague purgatorial” no-man’s land inhabited by other Asian Americans. She begins by reflecting on her struggles with depression, which she traces to being forced into the role of model minority. In this memoir in essays, Hong ( Engine Empire, 2012, etc.) offers a fierce and timely meditation on race and gender issues from her perspective as a Korean American woman. The University is committed to providing access, equal opportunity, and reasonable accommodation in its services, programs, activities, education, and employment for individuals with disabilities.The poetry editor of the New Republic discusses her experiences living and working in a culture hostile to expressions of Asian individuality and identity. Sponsoring Departments: The Graduate School, School of Interdisciplinary Arts and Sciences, UW Bothell, MFA in Creative Writing & Poetics, UW Bothell, Office of the Chancellor, UW Bothell Event Accessibility She is the poetry editor of the New Republic and full professor at the Rutgers University-Newark MFA program in poetry. Her poems have been published in Poetry, The New York Times, The Paris Review, McSweeney’s, The Boston Review, and other journals. She is a recipient of the Windham-Campbell Prize, the Guggenheim Fellowship, and the National Endowment for the Arts Fellowship. Time named Minor Feelings as one of the top 10 Non-Fiction books of 2020.Ĭathy Park Hong is also the author of three poetry collections including Dance Dance Revolution (which won the Barnard Women Poets Prize), Engine Empire, and Translating Mo’Um. Praised by Claudia Rankine, Jia Tolentino, and other prominent writers of our time, Minor Feelings is a critical work that reckons with our racialized past and present. These “minor feelings,” she comes to understand in the book, were the result of believing the stereotypes that American society fed her about her own racial identity. ![]() ![]() Hong writes about how her upbringing was steeped in shame and self-loathing. Cathy Park Hong draws upon her background as a poet and the daughter of Korean immigrants to create a work that flows seamlessly between cultural analysis, personal anecdotes, and historical framework. Minor Feelings is a radically honest meditation on the Asian American experience. In engaging and revealing talks, Hong speaks about race and Asian American identity, utilizing the craft of poetry as a lens for social change, and the power of creating art that is influenced by politics, culture, and the current societal moment. In this widely celebrated book of essays, Hong provocatively infuses cultural criticism, history, and her own person experience to reveal hard truths about the American racialized consciousness. Cathy Park Hong is an award-winning poet, a finalist for the National Book Critics Circle Award, and the author of Minor Feelings: An Asian American Reckoning.
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